2013 was an interesting year for rock/metal. Some bands delivered more than I expected them to (Stryper, Bon Jovi, Mike Tramp), a few disappointed me (Megadeth, Avenged Sevenfold, De La Cruz) and some confirmed my suspicions that they shouldn’t have released an album at all (Black Sabbath… okay, it was good but it seemed derivative of their past works).
Overall, it was a bit of a slow year for me as I focused a lot on listening to old favorites rather than having an interest in checking out and reviewing some of the latest releases.
Best Albums of 2013
1. Buckcherry – Confessions
2. Stryper – No More Hell to Pay
3. Bon Jovi – What About Now
4. Tom Keifer – The Way Life Goes
5. The Poodles – Tour de Force
6. Avantasia – The Mystery of Time
7. Reckless Love – Spirit
8. Megadeth – Super Collider
9. Jorn – Traveller
10. Mike Tramp – Cobblestone Street
Best Live Albums
1. Whitesnake – Made In Britain / The World Record
2. Dio – Finding the Sacred Heart: Live in Philly 1986
3. Def Leppard – Viva! Hysteria
4. Whitesnake – Made In Japan
5. Great White – 30 Years: Live from the Sunset Strip
Best Compilation/Cover Albums
1. Stryper – Second Coming
2. Kelly Clarkson – Wrapped in Red
3. Buckcherry – The Best of Buckcherry
4. Trans-Siberian Orchestra – Upon the Winter Solstice
5. Jorn – Symphonic
Most Anticipated New Releases for 2014
Trans-Siberian Orchestra – Upon the Winter Solstice
2013, Atlantic Records/Rhino Custom Products
1. A Mad Russian’s Christmas
2. Promises to Keep
3. The Christmas Day
4. First Snow
5. Midnight Christmas Eve
6. Dream Child (A Christmas Dream)
7. Music Box Blues
8. The Snow Came Down
9. Faith Noel
11. What Child Is This?
12. Wish Liszt (Toy Shop Madness)
Upon the Winter Solstice is a compilation album that was released exclusively at Kohl’s Department Stores during the 2013 holiday season. 100% of the proceeds go to the Kohl’s Cares charity to support kids’ health and education. Copies can be bought here and for only $5, you can’t go wrong by purchasing some TSO music while helping out a charity.
This is not to be confused with the recently released Tales of Winter: Selections from the TSO Rock Operas compilation which covers all five TSO albums and one EP. So far, that’s an album that’s only been released in Europe anyway. Upon the Winter Solstice focuses solely on the group’s first three Christmas releases (known as the Christmas Trilogy): Christmas Eve and Other Stories, The Christmas Attic and The Lost Christmas. Each album is represented with four songs.
Some of the band’s most famous tracks like “Christmas Eve/Sarajevo 12/24” and “Christmas Canon” are not included but you still get fantastic numbers such as “A Mad Russian’s Christmas” (one of my favorite TSO tracks), “First Snow”, “What Child Is This?” and “Wish Liszt (Toy Shop Madness)”.
If you’re not familiar with Trans-Siberian Orchestra, this is a great way to get introduced to them while doing some good in the process. This is also a great pick up for someone such as myself who doesn’t (yet) own their first three Christmas albums.
Trans-Siberian Orchestra – Dreams of Fireflies (On a Christmas Night)
2012, Universal Republic Records
1. Winter Palace
2. Dreams of Fireflies (On a Christmas Night)
3. I Had A Memory
5. Time You Should Be Sleeping
Though TSO has remained a popular and thriving annual holiday season touring group since their inception, it’s been 8 years since they’ve released any new holiday music (their last release, Night Castle, featured their usual brand of symphonic/progressive rock but was a concept album that had nothing to do with Christmas).
As has become standard with TSO, I find myself enjoying the instrumentals much more than I do the songs with vocals. TSO always uses great singers but sometimes I feel like the vocals just make the songs way too pompous for their own good. So, it’s no surprise that my two favorite tracks on the album are the two instrumentals: “Winter Palace” and “Dreams of Fireflies (On a Christmas Night)”. They are classic TSO songs. Great, heavy and upbeat Christmas tunes.
The remaining three tracks are the typical somber and sentimental ballads that TSO (over)fill their albums & live shows with. Decent tracks but as I’ve said, it’s the instrumentals where TSO really gets to flex their metal muscles. I recommend this EP for all TSO fans and fans of Christmas music in general. I’m hoping this is just a holdover to help promote the group’s 2012 winter tour and that a full album of Christmas music will be coming in 2013.
Highlights: “Winter Palace”, “Dreams of Fireflies (On a Christmas Night)”
2012 is shaping up to be another spectacular year for rock music. This is a year that is going to see releases from KISS, Judas Priest, Aerosmith, Van Halen and Black Sabbath. WHAT YEAR IS THIS ?!?
In no particular order, here’s what I’m definitely picking up in 2o12:
Accept – Stalingrad (April)
Accept really blew me away with Blood of the Nations. The band has proven there is life without Udo. In fact, I think many people would prefer the current line-up over the classic Accept roster at this point.
Crazy Lixx – Riot Avenue (April)
These solid modern glam-metallers are currently in the studio working on their 3rd album.
KISS – Monster (Spring)
Obviously, this is the album I’m looking forward to most. Sonic Boom was a triumphant return to the studio for these guys, now that the wheels are well-oiled, I think Monster has potential to be even better.
Sunstorm – Emotional Fire (February)
I missed out on the last Sunstorm despite good reviews. In the past year I’ve come to appreciate AOR/melodic rock more so I think I’m going to try out this Joe Lynn Turner-fronted side project when it’s released.
No date yet set by these sleaze rockers but they are supposedly in the writing process now. I’m guessing sometime in the Fall.
Black Sabbath (Fall/Winter)
Another highly anticipated album for me because I’m really curious what it’s going to sound like. I’m not a big Ozzy fan, either as a solo artist or in Sabbath. I’d much rather see Iommi w/ Geezer go on to new projects (Iommi needs to give Tony Martin another call) but I still will be pre-ordering this one. My expectations aren’t all that high though given who is singing. I feel like he and Sharon are going to bring everyone else down to his mediocre level. Still, it’s exciting to know that new Iommi riffs and solos are coming.
So much prima donna drama in this camp over the last 5 years or so but hopefully that’s gone long enough to give us a new album. Granted, I don’t really expect much from these guys in terms of, well… anything anymore. They’re kind of a joke at this point but with the legendary Jack Douglas back on as producer, I have no doubts that he’ll drag something out of them that’s better than the last studio album (2001’s Just Push Play).
Van Halen (February 7)
Geez, it was starting to look like the new Chinese Democracy, wasn’t it? No album title has been released yet but a release date has been and the first single will be released on January 10. Van Halen is another band that has become a joke over the years (despite the last tour getting rave reviews) but I have a good feeling about this album. The first album with Roth since 1984 and 1984! Rumored titles have been The Future and 2012 but I don’t think either will turn out to be true. Maybe IV though..?
The band hasn’t definitely said a new album is coming in 2012 but they’ve been working on new material for a while now and seem to be looking at 2012 for releasing it. It’s a different songwriting dynamic now though. Instead of Halford/Downing/Tipton, it’s just Halford/Tipton. By all accounts, new guitarist Richie Faulkner is carrying his weight in a live setting so I think the album is going to turn out quite good. I do think it’s time the band delivers a straight ahead metal album though. Angel of Retribution and Nostradamus were good but not excellent. The band really hasn’t given the world that kick-ass classic metal album that they should’ve already done since Halford has come back. They really need a Painkiller, Hell Bent for Leather or British Steel at this point and keep it simple.
Primal Fear – Unbreakable (late January)
I have heard this album. It’s good. Plan on reviewing it soon.
Mollo/Martin – The Third Cage (late January)
See above. It’s great to have a new album out with Tony Martin on vocals.
Maybe wishful thinking on my part but they were working on new material this past summer so hopefully something new will appear by next summer.
The Last Vegas – The Other Side
No date announced yet but they recently released the free digital Other Side E.P. so I’d imagine we’ll have the new album by the spring.
His first solo album was one of the best records from the last few years and this time, Myles Kennedy is singing all the songs. Everything is written, all that’s left to do is record the songs so I’m guessing spring for this one as well.
Trans-Siberian Orchestra – Romanov: What Kings Must Whisper
The second non-holiday from TSO, it was actually planned to be their first album way back in 1994 but they held on it while trying to get a Broadway musical out of it first. Night Castle was dark and cool while still keeping that trademark blend of metal, rock and classical music, I expect more of the same here.
With a deal in place with Frontiers Records for the new album, I’m expecting something special despite never being a huge Dokken fan. Lightning Strikes Again was good enough for me to be interested in a follow-up. The plan, as of this past November, was to have recording completed by February.
This album was actually delayed from this past year in favor of recording and releasing the excellent The Covering album of cover songs. According to Michael Sweet, two albums are in the works: the first will be an album of re-recordings (Why? Can we stop this trend, please?) followed by an album of all-new material written in the same heavy, edgy vein as “God” from The Covering.
M-Pire of Evil
M-Pire of Evil is the renamed Primevil which itself was the reunited late ’80s/early ’90s line-up of Venom that featured Tony “Demolition Man” Dolan on vocals/bass . I’m not well-versed on the comings and goings of the Venom roster but the “classic” line-up is split into two different bands right now. Conrad “Cronos” Lant is leading Venom with a few newer guys while the other two “classic” members (Jeff “Mantas” Dunn & Anthony “Abaddon” Bray) have hooked up again with Dolan for M-Pire of Evil.
They released an EP this past summer called The Creatures of the Black, which was pretty good and I liked the Prime Evil album (the only Venom release I’ve heard from this line-up) so I’m looking forward to a full length album. I couldn’t find anything resembling a release date but going by the band’s Facebook page, it should be soon because they’ve been teasing releasing the album cover.
Tooth And Nail (March)
The band that features 3/4 of the classic Dokken line-up. How does “Wild” Mick Brown still retain a position in Dokken while joining Tooth And Nail? Given Don Dokken’s reputation, you’d think he’d have been fired from Dokken by now. I mean, this band was named after a Dokken album and they’ve gloated over the fact that Don Dokken isn’t in the group (bassist Jeff Pilson will handle vocals). What’s weird is that on the band’s Facebook page, they list current Whitesnake drummer Brian Tichy as a member as well… I guess he’s there for the live shows in case Brown has to go off and play in Dokken?
I’m probably forgetting a few more albums but oh well!
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Tags: Accept, Aerosmith, AOR, Black Sabbath, Buckcherry, Classic Metal, Classic Rock, Classical Music, Crashdiet, Crazy Lixx, Dario Mollo, Dokken, Don Dokken, George Lynch, Glam Metal, Glam Rock, Hair Metal, Hard Rock, Heavy Metal, Joe Lynn Turner, Judas Priest, KISS, M-Pire of Evil, Melodic Hard Rock, Melodic Rock, Metal, Mollo/Martin, Music, NWOBHM, Pop Metal, Power Metal, Primal Fear, Progressive Metal, Progressive Rock, Rock, Slash, Sleaze Metal, Sleaze Rock, Stryper, Sunstorm, Tony Martin, Tooth And Nail, Trans-Siberian Orchestra, TSO, Van Halen
Pensacola Civic Center in Pensacola, Florida
My second time seeing TSO and understandably the show was a bit scaled back compared to what they do on their winter tours. Oh, don’t worry, they still have the full orchestra and band, smoke, fire, lazers, video screens, etc. It was just a smaller stage than when I saw them back in 2009 and that’s not because the Civic Center couldn’t handle a full show. As far as I know, the “Beethoven’s Last Night Tour” is the group’s first non-holiday tour so while they can pack ’em in during the holidays, they were probably just being cautious as to how well this tour will be received. I was actually a bit surprised to see them only making use of about a fourth of the arena. It was packed though so I would estimate around 3,000 people were there since the entire arena holds up to 12,000.
Obviously, being called the “Beethoven’s Last Night Tour”, the majority of the evening was devoted to the Beethoven’s Last Night album that was released in 2000 (which was their first non-holiday album). I have never heard that album in its entirety but I think anyone who is a fan of their holiday shows would also enjoy the music here. It’s all done in the same rock/metal/classical style, it just isn’t about Christmas.
I knew Beethoven’s Last Night probably wasn’t going to be the whole show and luckily it wasn’t. For the encore, things got a bit heavier as the band played a few numbers from Night Castle and also a few Savatage songs as well (“Sleep” and “Chance”). The Beethoven was filled with tons of great songs but I really like all the encore numbers just because they were much heavier and darker. That’s when TSO really showed their heavy metal roots and reminded you that without Savatage, TSO may have never existed.
As for the performances, of course everyone was spot-on all night long. The core of Trans-Siberian Orchestra is Savatage so there was Al Pitrelli & Chris Caffery on guitar, Jeff Plate on drums and Johnny Lee Middleton on bass. I gotta say it was great seeing Pitrelli live, that guy is a monster (as one point during the Beethoven part of the show, he stopped to play a little Hendrix). The last time I saw TSO it was Caffery & Skolnick. Also, another highlight was seeing THE Jeff Scott Soto in person. He played the part of Mephistopheles and what a voice! He also came out for the encore and sang “Another Way You Can Die”. Two other great vocalists I should point out are Rob Evan (who played Beethoven) and Andrew Ross. Narrator Bryan Hicks did a tremendous job as well.
All the other musicians were fantastic like violinist Roddy Chong and all the female vocalists were mind-blowingly good (and sexy!) as well. Everyone is worth mentioning by name but you must forgive me because I can’t seem to find any tour credits at this moment.
While the entire Beethoven album is littered with many great songs, I have to say the encore is what I liked best. I love it when TSO gets fast and furious and heavy and that did definitely that. And it’s a good thing they chose to close the show with a cover of Savatage’s “Chance” because that song is an absolute show-stopper. Everyone came out on stage and it was a great way to cap off the night.
What Good This Deafness
What Is Eternal
Mozart and Memories
Mozart / Figaro
The Dreams of Candlelight
Requiem (The Fifth)
After the Fall
A Last Illusion
This Is Who You Are
Who Is This Child
A Final Dream
Toccata – Carpimus Noctem
Better Listen To This
Another Way You Can Die
Breslin Student Events Center at MSU in East Lansing, Michigan
Though I own a TSO album, I never really got into it, but I sure did try to given the Savatage connection. Trans-Siberian Orchestra has always seemed like a group that would be more fun to see live and after last night’s amazing show, that is 100% confirmed. And what better night to go than on my birthday?
This was probably the best concert experience I’ve ever had. The place was a sellout, but TSO definitely brings in a different demographic than Avenged Sevenfold, KISS or Motley Crue does so I didn’t have to worry about any idiots getting on my nerves.
Sometimes when you go to shows, the sound isn’t so well. I’ve seen plenty of rock bands perform with the guitar way too much in the mix and they’re basically all you can hear but last night everything just about perfect. No screeching guitars, no bass or drums that rattled your ears so much you get vertigo, everything was spot on for the most part, but funny enough — I thought the guitars were a tiny bit low in the mix. Other than that minor quibble, guitarists Chris Caffery and Alex Skolnick were amazing all night.
I know people are going to want to know the set list from me, but I can’t tell you that. I’m not familiar enough with their music and I can’t find any other recent set lists online to get an idea, but the first half of the show focused on Christmas and the majority of the second half featured many songs from their latest album Night Castle.
As much as I loved the Christmas stuff, there were quite a few ballads in that portion that kind of bored me. Most of the second half was amazing though, the show got darker and heavier. After the Christmas portion was finished, a number of people began leaving. I guess those old-timers just wanted Christmas music, but you’re only getting half your money’s worth! For a rock/metal fan, the second half was definitely the best.
The stage production was amazing too, probably the best concert I’ve ever seen. Lasers, smoke, “snow”, tons of video screens, flames (green, orange and blue!). It was a great spectacle. I was surprised by how much they were able to fit into Breslin.
Overall, whether you’re a fan of Christmas, symphonies, hard rock or all of the above — TSO is a great way to spend the holidays and fantastic way to get your fix. Highly recommended. I believe this is at least the third year in a row they’ve come to Breslin, if they come again next year, I’ll be sure to be there.
Savatage – Hall of the Mountain King (1987, Atlantic Records)
1. “24 Hrs. Ago” … 4:56
2. “Beyond the Doors of the Dark” … 5:07
3. “Legions” … 4:57
4. “Strange Wings” … 3:45
5. “Prelude to Madness” … 3:13
6. “Hall of the Mountain King” … 5:55
7. “Price You Pay” … 3:51
8. “White Witch” … 3:31
9. “Last Dawn” …1:15
10. “Devastation” … 3:37
Jon Oliva – Lead Vocals, Piano
Criss Oliva – Guitar
Johnny Lee Middleton – Bass, Backing Vocals
Steve Wacholz – Drums
Robert Kinkel – Keyboards
Produced by: Paul O’Neill
My favorite Savatage release and one of my favorite albums ever. It was the first Savatage album I tried and that was because it was the cheapest Savatage album I could find at FYE one day. I think it had the “NICE PRICE” of $9.99. Score!
I was blown away by this album and I still am to this day. Creepy and atmospheric, nothing before or since by the band has come close to this release, IMO.
My favorite track is “Hall of the Mountain King” where Jon Oliva really goes insane.
Highlights: Everything, one of the best albums I’ve ever heard