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Riot – Immortal Soul

Riot – Immortal Soul (2011, SPV/Steamhammer Records)

1. Riot … 5:03
2. Still Your Man … 4:16
3. Crawling … 5:52
4. Wings Are for Angels … 5:09
5. Fall Before Me … 4:55
6. Sins of the Father … 3:55
7. Majestica … 0:57
8. Immortal Soul … 4:46
9. Insanity … 4:40
10. Whiskey Man … 4:15
11. Believe … 4:17
12. Echoes … 4:57

Band:
Tony Moore – Vocals
Mark Reale – Guitar
Mike Flyntz – Guitar
Don Van Stavern – Bass
Bobby Jarzombek – Drums

Producer: Bruno Ravel & Riot

Riot has returned to deliver pure American heavy metal to the masses!

Immortal Soul features the reunited Thundersteel/The Privilege of Power line-up (with additional guitarist Mike Flyntz) that featured the gifted Tony Moore vocals. I’ve always said Riot has never released a bad album. They’re taken a few twists & turns when it comes to the style of rock/metal they would play, but it’s always been quality stuff. I really didn’t have any doubts about the quality of Immortal Soul and became even more enthusiastic for it when the excellent “Wings Are for Angels” was released for streaming earlier this year. That’s one of my favorite songs of 2011!

This album is a great trip back in time. The production is fantastic but the songs are written like this is the direct follow-up to Thundersteel. Anyone who was a fan of that album and Privilege of Power will NOT be disappointed with Immortal Soul. Yeah, this is American POWER metal at its finest. Mark Reale is still firing off some nice solos and coming up with great riffs, Bobby Jarzombek is a monster on the drums as always and Tony Moore is still killin’ it on vocals.

Riot is one of the great American heavy metal bands. It’s a shame they never got the widespread recognition they deserved in the 36 years of their existence. Mark Reale is one of metal’s best guitarists even now. Though the world at large may be unaware, for those of us in the know, we know that Riot’s place in the pantheon of heavy metal is secure.

This is an album not to be missed by Riot fans or anyone into a more tradition heavy metal sound from bands such as Judas Priest. This whole album is classic Riot full of the thrashers, speed, power and melodic metal that many fans fondly remember from the previous Tony Moore era.

Highlights: “Riot”, “Still Your Man”, “Crawling”, “Wings Are for Angels”, “Fall Before Me”, “Sins of the Father”, “Immortal Soul”, “Believe”

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Buy ‘Immortal Soul’ at Amazon.com

RIOT – The Privilege of Power

Riot – The Privilege of Power [Remastered] (2003, Sony Music/Collectables Records)
Original Release: 1990, CBS Records

1. “On Your Knees” … 6:37
2. “Metal Soldiers” … 6:40
3. “Runaway” … 5:11
4. “Killer” … 4:53
5. “Dance of Death” … 7:17
6. “Storming the Gates of Hell” … 3:43
7. “Maryanne” … 4:55
8. “Little Miss Death” … 4:12
9. “Black Leather and Glittering Steel” … 7:07
10. “Racing with the Devil on a Spanish Highway” … 7:17

Band:
Tony Moore – Vocals
Mark Reale – Guitar
Don Van Stavern – Bass
Bobby Jarzombek – Drums

Additional Musicians:
Joe Lynn Turner – Vocals (“Killer”)

Producer: Steve Loeb, Mark Reale and Rod Hui

After frequent changes in style (NWOBHM, southern fried hard rock, heavy metal, power metal) over the span of four albums, Riot founder and guitarist Mark Reale finally settles in and keeps The Privilege of Power in the same realm as Thundersteel though it is a bit more melodic at times. Vocalist Tony Moore (my favorite singer Riot has had) really delivers all throughout the album.

The album is not without a few odd choices though. Virtually every song has the annoying habit of some audio clips and sound effects from news and movies and whatnot. It really disrupts the flow of the album when all I wanna do is hear the music. I suppose there was some statement behind all of this about society, government and the power of television and maybe if they did it for one or two songs, that’d be okay, but this is overkill.

It is a full FORTY-SIX SECONDS before the music starts playing on the first track and for a few more seconds after that, the sound is purposefully muffled. That’s inexcusable for a heavy metal album! If someone was so insistent on these weird intros, they should’ve just made them outros (or better yet, their own tracks) so that as soon as you hit play or skip tracks you get to hear MUSIC.

Another oddity is the use of horns throughout the album. Sometimes it works and sometimes it sounds out of place. But hey — if Aerosmith could do it, why not Riot ?

Getting on with what is good about this album is we still get plenty of speed and power metal moments that stand up to anything done on the excellent Thundersteel album. “Metal Soldiers” is a great anthem and “Black Leather and Glittering Steel” is a fantastic speed metal number where Tony gets to do what he does best. “Dance of Death” is a strong power metal number.

There are also a number of melodic moments (foreshadowing yet another change in direction for the band). “Maryanne” sounds like something out of the pop-metal scene crossed with Boston (the band, not the city) and the guitar work on “Little Miss Death” reminds me of Michael Schenker Group. “Killer” (accompanied by horns) features Joe Lynn Turner on vocals.

Horns and interludes aside, this is another great Riot release featuring a nice blend of heavy metal and melodic hard rock. Too bad it would be Moore’s last album with the band and he would not return to sing for the group until 2008 (then left again in 2009).

Highlights: “Metal Soldiers”, “Runaway”, “Dance of Death”, “Maryanne”, “Little Miss Death”, “Black Leather and Glittering Steel”

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