The Cars – Move Like This (2011, Hear Music)
1. “Blue Tip”
2. “Too Late”
3. “Keep On Knocking”
5. “Sad Song”
7. “Drag On Forever”
8. “Take Another Look”
9. “It’s Only”
10. “Hits Me”
Ric Ocasek – Lead Vocals, Guitar, Keyboards
Elliot Easton – Guitar, Backing Vocals
Greg Hawkes – Keyboards, Bass, Guitar, Backing Vocals
David Robinson – Drums, Backing Vocals
Producer: Jacknife Lee and The Cars
Believe it or not, I’m actually a fan of The Cars. Maybe not a HUGE fan (I don’t own Heartbeat City or Door to Door) but I like the early albums a lot. Though new wave music has some charm, it isn’t really a type of music I’ve ever listened to intently. Sure, I love the plethora of new wave hits that bombarded radio in the early ’80s like anyone else but I never cared enough to delve deeper into the scene. But yet… there’s something about The Cars that appeals to me. It’s probably the fact that while they are new wave, they aren’t strictly new wave. I think I would become very bored with them if they were only that. They combine power pop, rock, pop, hard rock and new wave into one nice package. A riff is just as likely to come from the guitar as it is from the keyboard and I honestly don’t think they receive enough accolades for just how good their music is.
I’ve also always enjoyed Ric Ocasek’s vocals and lyrics. His vocals have always had this calm, cold almost disconnected feeling to them, as if he was simply an observer. Meanwhile, the meaning of his lyrics aren’t always clear (in fact, sometimes I think it’s just gibberish so it’ll rhyme but that’s par for the course in new wave) but I’ve always enjoyed reading along as the song plays.
Well, what can be said about this album? First of all, it is it the first Cars album since 1987. The original Cars disbanded in 1988 but in 2005 a bit of an odd thing happened — The New Cars formed. Yet, it only featured Cars members Greg Hawkes & Elliot Easton and rounding out the band were Todd Rundgren and frequent Rundgren collaborators Prairie Prince and Kasim Sulton. The group toured playing a mix of Rundgren and Cars tunes but did release a live album called It’s Alive that featured a three new studio tracks but it was predominantly filled with classic Cars tunes (two Rundgren tracks also made the cut). I guess there was more money to be made cashing in on The Cars’ name than Rundgren’s.
Well, The New Cars were done by 2007 and in 2010 the original Cars were back together (sadly, original bassist Benjamin Orr passed away in 2000). I’m not familiar with the details of this reunion. A Cars reunion had been rumored since the late ’90s but Ocasek always rebuffed such gossip and a part of the reason The New Cars formed is because he had no interest in doing such a reunion. So why now? I’m not sure. Whether it’s for personal or financial fulfillment Move Like This is no lazy effort. I have to think there’s more of an artistic than monetary reason for this reunion, otherwise I’m sure they could’ve floated by on the summer touring circuit just being a nostalgia act. But to record new and release new music? That exemplifies dedication and passion in this day and age in an industry that isn’t kind to aging acts… and is barely kind to the young ones!
More about the album itself, as soon as it opens with quirky upbeat “Blue Tip”, you know you’re listening to The Cars. While it isn’t my favorite song on the album, it definitely sounds like something that could have come from the first few albums. To me, there’s no mistaking when you hear The Cars and that’s the great thing about this whole album — it’s like a lost Cars release! Even though this album still fits under new wave, because of all the other rock/pop influences I mentioned, it still has a timeless sound to it just like the band’s early releases do. Another great thing about The Cars are the ballads and they do not disappoint on this release. “Too Late”, “Soon” and “Take Another Look” are all fantastic moments on this album with “Too Late” being my favorite song on the whole release. The rest of the album is the usual high standard of upbeat sounding (if not lyrically) numbers we’ve come to expect from this band like “Sad Song”, “Free”, “Hits Me” and the aforementioned “Blue Tip”.
Ric has crafted something really special with Move Like This. It is a more than worthy addition to the band’s catalog and if any of these songs get played in a live setting, they’ll fit in seamlessly with the rest of the band’s classics. Casual fans probably won’t even be able to tell these are new songs.
Highlights: “Blue Tip”, “Too Late”, “Soon”, “Sad Song”, “Take Another Look”, “Hits Me”
Marvelous 3 – Hey! Album (1998, Elektra Records)
1. “You’re So Yesterday” .. 3:56
2. “Freak of the Week” … 3:20
3. “Until You See” … 4:20
4. “Write It On Your Hand” … 3:23
5. “Let Me Go” … 3:21
6. Every Monday” … 3:06
7. “Indie Queen” … 4:52
8. “#27” … 2:51
9. “Mrs. Jackson” … 3:33
10. “Over Your Head” … 3:40
11. “Vampires In Love” … 4:01
12. “Lemonade” … 6:42
Butch Walker – Vocals, Guitar
Jayce Fincher – Bass
Doug Mitchell (aka – Mitch “Slug” McLee) – Drums
Producer: Butch Walker & Jim Ebert
The second album (first major label release) from the short-lived but fantastic power pop/rock group Marvelous 3. It was the only album to produce a hit single (“Freak of the Week”). I knew nothing about this band or album or “Freak of the Week” until I picked up ReadySexGo two years later but when I backtracked and bought this album, I ended up loving it almost as much as I love ReadySexGo.
Released in October of ’98, the album was actually self-released in early ’98 but then Elektra signed the band and the album was remixed and a few songs were dropped/added. “Cold As Hell” was on the original version of the album and later found its way onto ReadySexGo.
I don’t really know what to tell you if you can’t get into this album. Marvelous 3 is one of the catchiest bands of all time. Every song is a sing-along, whether it’s bombastic anthems like “Freak of the Week” and “You’re So Yesterday” or melancholy moments like “Until You See” and “Let Me Go”. Butch is a great vocalist and great lyricist. I’ve always loved the sense of humor, wordplay, self-deprecation and teenage emotions that come through in his lyrics. Sample from “Vampires In Love”: And now you know that I suck at this/and you suck at it too/And now we’re nothing more than/vampires in love
How this band never went on to sell millions of albums I’ll never know. Butch went on to become a successful songwriter/producer but he’s gone on a totally different path as a solo act, which is a shame. Anyone that’s a fan of power pop should love this album.
Highlights: “You’re So Yesterday”, “Freak Of The Week”, “Until You See”, “Write It On Your Hand”, “Let Me Go”, “Every Monday”, “Indie Queen”