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The Decline of the Western Civilization Part II: The Metal Years [Album Review]


The Decline of the Western Civilization Part II: The Metal Years (Original Motion Picture Soundtrack)
2011, Capitol Records
Originally Released: 1988, Capitol Records
Buy the album at Amazon

1. “Under My Wheels” – Alice Cooper w/ Guns N’ Roses
2. “Bathroom Wall” – Faster Pussycat
3. “Cradle to the Grave” – Motörhead
4. “You Can Run But You Can’t Hide” – Armored Saint
5. “Born to Be Wild” – Lizzy Borden
6. “In My Darkest Hour” – Megadeth
7. “Prophecy” – Queensrÿche
8. “The Brave” – Metal Church
9. “Foaming at the Mouth” – Rigor Mortis
10. “Colleen” – Seduce

Any metal-head worth their weight in steel is well aware of this documentary that was released in 1988. It’s a truly fascinating look at life as rocker in the 1980s. For better or worse, warts and all, it absolutely captures a time and a vibe & scene that can never truly be replicated no matter how “retro” a band may act.

As it stands, the soundtrack to The Decline of the Western Civilization Part II: The Metal Years is a solid compilation. Sure, bands like Seduce and Rigor Mortis didn’t stand the test of time but when it comes to the ’80s metal scene, you can’t really argue against the inclusion of bands like Motorhead, Lizzy Borden, Megadeth, Alice Cooper, Guns N’ Roses, Metal Church or even Faster Pussycat. It was all metal one way or another.

The documentary itself was actually what turned me on to Megadeth as they performed “In My Darkest Hour” in the film and it certainly made an impression on me.

The lack of Ozzy Osbourne, Aerosmith, Poison, KISS or W.A.S.P. is a bit odd given how their stature and appearances in the documentary but the soundtrack isn’t meant to be all encompassing. If it was, we’d be putting up with having to listen to the likes of London, Tuff and Odin, too. A few tracks either start or end with audio clips from the film.

We could argue for hours over who truly deserves to be included on a compilation of ’80s metal but this soundtrack is just a taste of what that era had to offer and is meant to tie in most closely with bands featured in the documentary. Keep that in mind and what you’ve got is a good collection of ’80s rock & metal that will fit right in with your retro denim vest.

Highlights: “Under My Wheels”, “Bathroom Wall”, “Born to Be Wild”, “In My Darkest Hour”, “Prophecy”

The Metal Excess Awards: 2010 Edition

I’m really surprised by how many albums I enjoyed this year. I have a pitiful memory so I had to go back through my blog to remind myself what came out this year but I was floored when my Top 10 list was changed to a Top 20 list, then to a Top 30 list! I knocked it back down to a Top 25 list to make it seem a tiny bit more exclusive.

If you haven’t checked out any of these 25 albums, I wholeheartedly recommend you do so. 2010 was an amazing year for rock & metal, much MUCH better than 2009. I don’t see how 2011 can compete!

I’ll keep it short and sweet with my awards. As always, check the links for full reviews.

Best Albums of 2010

1. Avenged Sevenfold – Nightmare
2. Buckcherry – All Night Long
3. Scorpions – Sting in the Tail
4. Halford – Made of Metal
5. Slash – s/t
6. Black Country Communion – s/t
7. Avantasia – Angel of Babylon
8. Avantasia – The Wicked Symphony
9. Accept – Blood of the Nations
10. Hinder – All American Nightmare
11. Jettblack – Get Your Hands Dirty
12. Reckless Love – s/t
13. Bad City – Welcome to the Wasteland
14. Stone Temple Pilots – s/t
15. Iron Maiden – The Final Frontier
16. Krokus – Hoodoo
17. Helloween – 7 Sinners
18. Sister Sin – True Sound of the Underground
19. My Darkest Days – s/t
20. Stereoside – s/t
21. Y&T – Facemelter
22. Danko Jones – Below The Belt
23. Grave Digger – The Clans Will Rise Again
24. Jon Oliva’s Pain – Festival
25. Ratt – Infestation

Top Cover Albums

Seems like every year a few established artists like to cover a few *other* established artists, not to mention all those various tribute albums that small labels will slap together. Well, here’s my official ranking of the three cover albums I bothered to listen to this year. Luckily, all three albums were good fun and I think they all deserve another mention.

1. Jorn – Dio
2. Vince Neil – Tattoos & Tequila
3. Joe Elliott’s Down ‘N’ Outz – My ReGeneration Vol. 1

Top Live Albums

Again, I don’t buy a lot of live albums, but here’s how I rank what I listened to this year.

1. Dio – Dio at Donington UK: Live 1983 & 1987
2. Heaven & Hell – Neon Nights: 30 Years of Heaven & Hell – Live In Europe
3. Megadeth – Rust In Peace Live
4. The Michael Schenker Group – The 30th Anniversary Concert: Live in Tokyo

Top EPs

1. Razorwyre – Coming Out
2. Skull Fist – Heavier Than Metal
3. DesDemon – The Awakening

Most Disappointing Albums

1. Ratt – Infestation
The album was good, don’t get me wrong. It landed at #25 on my Best Of list for Dio’s sake! But… most of the songs had trouble living up to the promise of “Eat Me Up Alive” and “Best Of Me”.

2. Armored Saint – La Raza
A bland album from a band that has done so much better. They seemed to be going through the motions (to which John Bush has basically admitted in regards to himself). Symbol of Salvation this ain’t.

3. White Wizzard – Over The Top
The High Speed GTO EP garnered this group a lot of hype and buzz. We all fell for it, I know reviews for this album have been positive and it’s not bad but I expected more. Hopefully a second album will get these guys where they need to be.

4. Raven – Walk Through Fire
The terrible cover art should’ve tipped me off that this album was nothing special.


Check out these other sites for even more lists and year-end awards:

All Metal Resource —

Bring Back Glam —

Hair Metal Mansion —

Hard Rock Hideout —

Hard Rock Nights —

Heavy Metal Addiction —

Heavy Metal Time Machine —

Imagine Echoes —

Layla’s Classic Rock —

The Metal Minute —

Metal Odyssey —

The Ripple Effect —



Armored Saint – La Raza (2010, Metal Blade Records)

1. “Loose Cannon” … 5:06
2. “Head On” … 5:46
3. “Left Hook From Right Field” … 5:31
4. “Get Off The Fence” … 4:48
5. “Chilled” … 5:02
6. “La Raza” … 6:41
7. “Black Feet” … 5:07
8. “Little Monkey” … 4:45
9. “Blues” … 3:32
10. “Bandit Country” … 5:16

John Bush – Vocals
Jeff Duncan – Guitars
Phil Sandoval – Guitars
Joey Vera – Bass
Gonzo Sandoval – Drums

Producer: Joey Vera

Not too long since it was released, I have been listened to this album on and off. My original plan was to review it much earlier but I wasn’t album to get into it. Reviews on this album have been mixed to say the least. Some people say it’s another great Armored Saint release and it logically follows their last few efforts. Then there’s the controversy as to whether this is a “metal” release or not.

Firstly, despite not having heard 2000’s Revelation, I can definitely see the connection between this album and 1991’s Symbol of Salvation. Frankly, La Raza doesn’t even begin to compare to that 1991 classic. There’s just too much filler on La Raza. Symbol of Salvation is one of those rare, great albums where there’s no filler at all. Upon my first complete listen to this album, the only song that stuck out is “Chilled”. It’s a great song that reminds me of Symbol of Salvation yet has enough modern flavor that any younger band could probably get on the radio with it. The rest I would have been hard pressed to remember. Given that I’ve spun this album ten times or more by now, other favorites are popping up. This is one of those albums that I really had to keep listening to over and over again to get enjoyment out of.

Now, there has been some controversy over whether this is heavy metal. Well, I say it is. Compared to the band’s catalog, La Raza brings no more or no less “heavy metal” than they usually do.  I’ve always thought Armored Saint straddled the line between heavy metal and hard rock anyway. There are a few songs on here I would say are strictly heavy metal and then a few others that are pure hard rock.

At least John Bush still delivers in the vocal department. My only issue with him is a recent interview I read where he basically sounded like he was dragged into this project. Though he doesn’t say this, it sounds like he really doesn’t have a lot of passion left for music. Armored Saint reuniting was Joey Vera’s doing and while he and John Bush co-wrote the whole album together, knowing that Bush originally didn’t want to do it and had to be talked into it ruins a bit of the enjoyment for myself. I think the whole Anthrax fiasco took a lot of fight out of him.

My final thoughts on this album are that it is a good solid rock/metal release but it didn’t “wow” me. It was one of the more anticipated albums of 2010 for me so perhaps I set my expectations high. It failed to meet those expectations but after a few listens it has grown on me.

Highlights: “Loose Cannon”, “Left Hook from Right Field”, “Get Off the Fence”, “Chilled”, “Black Feet”, “Bandit Country”

Looking Forward to in 2010…

2009 was good, can 2010 be better? With these albums penciled in for 2010 it looks like we’ll have another good year for rock ‘n’ roll because there’s tons I’m looking forward to! I’ve listed tentative release dates where I could.

Ratt – Infestation (March): Ratt is one of the best bands to spring from the L.A. metal scene, I can’t wait to hear some new music from that.

Scorpions – Sting In The Tail: Well, hopefully we’ll see some new Scorpions. They haven’t gotten a U.S. distribution deal yet, but in this day of the internet, I don’t foresee any problems getting my hands on an import. According to the band, they’re going back to their “early ’80s” sound and scrapping the modern style they had on Humanity: Hour I. That’s a shame because I remember Klaus Meine being pretty adamant about the band not writing anymore “eighties” songs and I like Humanity a lot (which seemed to imply there’d be a sequel). Oh well, I liked 2004’s Unbreakable a lot too (the band’s most recent attempt at having that classic Scorpions sound), so either style they want is good with me.

Avantasia – The Wicked Symphony & Angel of Babylon (April 3): Edguy’s Tobias Sammet, one of my favorite vocalists, is back with his side project and he’s got two albums coming at us at once on the same day. The Scarecrow was really good and Sammet has tons of guest musicians lined up again, I just hope he hasn’t spread himself too thin by releasing two albums’ worth of material.

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ARMORED SAINT – Raising Fear

Armored Saint – Raising Fear (1995, Metal Blade Records)
Original Release: 1987, Chrysalis Records

1. “Raising Fear” (3:50)
2. “Saturday Night Special” (4:23)
3. “Out on a Limb” (3:33)
4. “Isolation” (6:00)
5. “Chemical Euphoria” (4:45)
6. “Crisis of Life” (4:05)
7. “Frozen Will/Legacy” (6:00)
8. “Human Vulture” (5:26)
9. “Book of Blood” (4:41)
10. “Terror” (4:44)
11. “Underdogs” (4:18)

John Bush – Vocals
Dave Prichard – Guitars
Joey Vera – Bass
Gonzo Sandoval – Drums

Produced by: Chris Minto and Armored Saint

What a great album cover!

This was my first Armored Saint album and it was by accident because if I’m remembering correctly, I actually meant to pick up Symbol of Salvation. I had mixed up the titles, but my intent was the same– to pick up what was generally considered to be the “best” Armored Saint album.

I was disappointed when I got online at home and realized I had bought an album that All Music Guide only gave 2.5 stars to. You can only trust your own ears, but for a time, in the early 2000s, I trusted AMG more than I should have and I think their review influenced my opinion a lot on this album because I remember not liking this one for the longest time and giving it very little play outside of the few week or two of buying it.

It’s amazing how much you can enjoy something when you stop listening to others and go into things with an open mind (yes, this works for all walks of life) because this is some great American power metal! I still think Symbol of Salvation is their best release, but this album sits right at home next to it.

Supposedly there were some issues in the songwriting department for this album because Chrysalis wasn’t happy with what they were hearing (they wanted that all important “hit”) and they basically forced the band to record “Saturday Night Special” in addition to pretty much re-writing everything. Well, whatever writing/recording problems the band was going through, I still think they delivered in the end and I even like their cover of “Saturday Night Special”. Unfortunately, even after six-months of recording going into this album, the album was not a commercial success and Chrysalis dropped the band, but that’s okay.

Even in the face of Dave Prichard fighting a losing battle with leukemia, the band signed with Metal Blade Records and delivered their career best in 1991…

Highlights: “Raising Fear”, “Saturday Night Special”, “Out on a Limb”, “Frozen Will/Legacy”, “Book of Blood”, “Terror”

ARMORED SAINT – Symbol of Salvation

Armored Saint – Symbol of Salvation (1991, Metal Blade Records)

Track Listing:
1. “Reign Of Fire”
2. “Dropping Like Flies”
3. “Last Train Home”
4. “Tribal Dance”
5. “The Truth Always Hurts”
6. “Half Drawn Bridge”
7. “Another Day”
8. “Symbol Of Salvation”
9. “Hanging Judge”
10. “Warzone”
11. “Burning Question”
12. “Tainted Past”
13. “Spineless”

John Bush – Vocals
Jeff Duncan – Guitars
Phil Sandoval – Guitars
Joey Vera – Bass
Gonzo Sandoval – Drums

Produced by: Joey Vera & Dave Jerden

And to think, my first Armored Saint album was Raising Fear, an album that never really impressed me, and I nearly wrote off this band before finally deciding to give their most praised album a shot. Good thing I did take the chance on this album because it’s become one of my favorites in my whole collection.

A great bit of melodic heavy metal from top to bottom, every song sticks with you and John Bush is killing himself over these songs. He puts so much emotion behind it all, he’s an amazing vocalist.

“Reign of Fire” is great opener that pumps you full of metal and energy, but the true highlight for me it “Another Day”, which, if I’m not mistaken, all the lyrics were written by their late-guitarist Dave Prichard, who sadly passed away just before recording the album. Very emotional song for the band, obviously, and for anyone who listens to it knowing the story behind it.

All across the board, definitely the band’s finest moment.

Highlights: All of it, one of the best metal albums I’ve ever heard.

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