1. Monsters of Rock
2. No Except to the Rule
3. Shotgun Symphony
4. Back to the Roots
5. No Way Out
6. Danger Zone
8. Deaf, Blind and Dumb
9. Forever Metal
10. Children of Desperation
11. Hold Your Head Up High
12. Making Magic
13. The Reactor
14. Rock City
Paul “Shorty” Van Camp – Guitars, Vocals
Ken “Jakke” Van Steenburgen – Bass, Vocals
Ivan “Vanne” Opdebeeck – Drums
Killer (not to be confused with Paul Dianno’s Killers) is a Belgian metal band that formed in 1980. They released four albums throughout between 1980 & 1990 and then were reformed by founding guitarist/vocalist Paul “Shorty” Van Camp in 2002. Monsters of Rock is the band’s seventh studio release. I didn’t know anything about these guys before checking this album out. I happened across this release but I saw it mentioned on a very detailed list of metal albums released in 2015; I had never heard of them before that.
For anyone who is into old school headbanging, this is an album that’s worth listening to. In fact, when I first heard it and before I had done any research on the band, I assumed this watch a retro metal band hitting all the ticks mark. Good to know that Killer is the real deal wrapped in the genuine black leather! Vocalist Paul Van Camp has a rough voice but it works for this meat & potatoes style of metal that could be compared to the likes of Anvil and definitely Motorhead. I can even hear a Tony Iommi influence in some of the riffs and the solos are just great, such as on the intro of “No Way Out”.
One of my favorite tracks is the bluesy “Making Magic” which sounds like a hard rock song from the late ’70s. Love this tune.
Even though it was released in 2015, Monsters of Rock is definitely a fun album to listen to when you’re in the mood for some classic sound heavy metal!
Highlights: “Monsters of Rock”, “No Exception to the Rule”, “Back to the Roots”, “No Way Out”, “Danger Zone”, “Making Magic”
Whitesnake – The Purple Album
2015, Frontiers Records
2. “You Fool No One” (interpolating “Itchy Fingers”)
3. “Love Child”
4. “Sail Away” (featuring “Elegy for Jon”)
5. “The Gypsy”
6. “Lady Double Dealer”
8. “Holy Man”
9. “Might Just Take Your Life”
10. “You Keep On Moving”
11. “Soldier of Fortune”
12. “Lay Down Stay Down”
14. Lady Luck
15. Comin’ Home
David Coverdale – Lead Vocals
Reb Beach – Guitars, Backing Vocals
Joel Hoekstra – Guitar, Backing Vocals
Michael Devon – Bass, Harmonica, Backing Vocals
Tommy Aldridge – Drums
Derek Hilland – Keyboards
Producers: David Coverdale, Reb Beach & Michael McIntyre
After a steady stream of live releases, I was looking forward to hearing a brand-new Whitesnake studio album. I had known the band had been working on writing & recording tracks for the untitled album but I was assuming what they were going to give us would new and original Whitesnake tracks. Instead, when The Purple Album was announced, to say I was a bit deflated would be an understatement. For whatever reason, David Coverdale decided to have Whitesnake cover songs from his time in Deep Purple. Basically, the sounds have been record with a much beefier sound that’s very in line with what Whitesnake has been doing the last 10 years ago or so and some of the songs have been slightly re-worked.
In theory, I don’t have too much of a problem with any of this. I’ve read some comments online that consider it blasphemous that Whitesnake would record a bunch of Deep Purple songs and plenty of reviewers knocking this album and saying the band didn’t do a good job. Personally, I don’t care if Whitesnake releases an album of Deep Purple covers. But that’s just it. I don’t care. It just seems like a throwaway and irrelevant album to me, no more of less important than the various live albums they’ve released in the last few years. Having said that, being the Whitesnake fan that I am, I was always going to give this album at least one spin.
Now would’ve really made this album interesting is if Coverdale decided to record some songs from the Mark II line-up that featured Ian Gillan on vocals (at least as a fun bonus track). THAT would’ve made for a fascinating listen.
I’m really wondering what happened during all the time that Coverdale said they were working on the new album because I know they were at least writing material when Doug Aldrich was still in the band. What happened to that material? Was he only writing rearrangements for this album? And, oh yeah, Doug Aldrich is gone from the band. I’ve felt he was an essential part of the band since David brought Whitesnake back but the split seems amicable as Doug wanted to move on to new projects. His replacement? Night Ranger’s Joel Hoekstra. Okay. At least Tommy Aldridge has returned to the band and is still a monster on the drums.
While The Purple Album doesn’t seem all that necessary, when you get down to the music, it’s fairly enjoyable. In fact, I can digest some of these tracks much more easily now that they have been updated production-wise. Take Deep Purple songs, give them the production of Whitesnake’s last two studio efforts, Good to Be Bad and Forevermore and that’s The Purple Album. Coverdale’s voice is much more weathered by this point but I think that’s a good thing. He has more soul in his voice than he ever did and I think on some of these tracks it provides for a better vocal performance and feeling than what he could’ve provided in the 1970s.
At the end of the day, while I’m disappointed I’m not listening to new Whitesnake material, The Purple Album has turned out to be a pretty good album in it’s own right.
Highlights: “Burn”, “Love Child”, “Sail Away”, “The Gypsy”, “Lady Double Dealer”, “Mistreated”, “Might Just Take Your Life”, “You Keep On Moving”, “Soldier of Fortune”, “Stormbringer”
1. Angels Cry
2. Morning After
3. American Trash
5. Just Breathe
6. Shotgun to the Heart
7. Never Give Up
8. Cold Dark December
9. It’s Never Too Late
10. She’s a KO
11. There’s No Starting Over
Jean Beauvoir – Vocals, Bass, Guitars, Keyboards, Drums
Micki Free – Guitar
Being a fan of KISS, Jean Beauvoir is a name I’ve been familiar with for quite some time. He co-wrote a couple of songs with Paul Stanley back in the ’80s for KISS and was a member of the shock rock group, The Plasmatics, but that’s ALL I knew. Micki Free is another name I’ve read from time to time, but his name did not bring to my mind any particular project he ever worked on. After becoming aware of this album, I was surprised to find that Beauvoir worked a lot with the Ramones and that Micki Free was a member of the funk/soul group Shalamar. Kinda seems odd that these two would be involved in an melodic rock project for Frontiers Records but then again, more research told me these two previously formed a melodic rock group called Crown of Thorns back in the ’90s.
I came in with zero expectations and very little understanding of what the team of Jean Beauvoir and Micki Free had to offer. What they’ve delivered with American Trash is nothing short of a melodic hard rock gem even though the second half of the album fails to live up to the quality of the first half. There’s plenty of hard riffing going on overall and I really enjoy Beauvoir’s voice which at times reminds me of Lenny Kravitz. My favorite tracks are “Angels Cry”, which is a killer heavy song to open the album with and “Just Breathe” is one of the best power ballads I’ve heard in the last few years.
I’m not sure if American Trash is done in the same exact style as their Crown of Thorns group, but I’m thinking I need to check their old collaborations out and I hope there’s more to come from Beauvoir/Free.
Highlights: “Angels Cry”, “Morning After”, “American Trash”, “Just Breathe”, “Shotgun to the Heart”
Night Demon – Curse of the Damned
2015, Century Media Records
1. Screams in the Night
2. Curse of the Damned
4. Full Speed Ahead
5. The Howling Man
6. Heavy Metal Heat
7. Livin’ Dangerous
9. Run for Your Life
11. Save Me Now
12. Road Racin’
13. The Chalice ’15
Jarvis Leatherby – Vocals, Bass
Brent Woodward – Guitar
Dustin Squires – Drums
Night Demon, Roger Camero & Armand Tambouris
Confession: I bought this album by accident. While I still buy albums (vinyl, CD AND digital) I generally reserve my money for my favorite bands or when building up my vinyl collection. I came across a list of the top metal albums of 2015 so far and this album was on it. A lot of time I stream music from Spotify but since Century Media isn’t a partner with Spotify, that wasn’t possible for this release. I had some credit at Amazon.com to use on digital music and I accidentally bought the album when I was hoping I’d first be told how much credit was available to use.
Going by the awesome cheesy “evil” album artwork, I was expecting raw, nasty ’80s metal sound that probably focused too much on sounding “evil”. Well, while Night Demon is firmly planted in the new wave of traditional heavy metal category, they aren’t out to shock and offend. So don’t let the cover fool you — the band isn’t as dark, demonic and over-the-top as the artwork would suggest. It’s all in good fun. Sure, they have songs called “Curse of the Damned”, “Satan” and “Killer” but they also have songs titled “Road Racin'”, “The Howling Man” and “Heavy Metal Heat”.
This trio of California metal-heads cites UFO, Riot and Diamond Head as influences. Knowing that gives the listener a good idea of what they’ll be sounding like. The Diamond Head influence is readily apparent indeed. To my knowledge, Curse of the Damned is the band’s debut LP (a self-titled EP was released in 2012) and it’s a great score for them to have a European label deal with Steamhammer/SPV while being on the Century Media label in the U.S.
Night Demon’s Curse of the Damned is an enjoyable album that fans of the new wave of British heavy metal and the new wave of traditional heavy metal should be able to appreciate. I don’t think Night Demon is going to blow anyone away within the confines of the music they are playing but they’re sure to be appreciated by old school metal-heads.
Highlights: “Screams in the Night”, “The Howling Man”, “Heavy Metal Heat”, “Livin’ Dangerous”, “Save Me Now”
2. Open Fire
3. Last of Our Kind
4. Roaring Waters
5. Wheels of the Machine
6. Mighty Wings
8. Sarah O’Sarah
9. Hammer & Tongs
Justin Hawkins – Lead Vocals, Guitar, Keyboards
Dan Hawkins – Guitar, Backing Vocals
Frankie Poullain – Bass, Backing Vocals
Rufus Tiger Taylor – Drums
Producer: Dan Hawkins
For their first two albums, The Darkness showed glimpses of brilliance. Both a parody and loving tribute to British glam rock, prog rock, classic rock and L.A. glam metal of the 1970s and 1980s, they were a unique group with a unique singer and some very silly lyrics. Combine elements of AC/DC and Led Zeppelin with Mott the Hoople and Queen (funny that Roger Taylor’s son, Rufus, is now their drummer) and that’s kind of what The Darkness sounds like.
Unfortunately, the band became a parody themselves when they fell victim to their own excess, success and egos and broke in 2006. They reunited in 2011 and released Hot Cakes the following year. To be fair, it’s an album I never gave a serious listen to despite having loved their first two albums. What little I have heard never impressed me enough to listen to the rest of it.
The Last of Our Kind is the band’s fourth release and something compelled me to give this release a more serious shot. I’m glad I did. This album has the band spreading out their song a bit (although it’s always kinda been all over the place) from the heavy metal “Barbarian” to the Cult-like “Open Fire” to “Mighty Wings”, which would make ELO’s Jeff Lynne proud, to the Zeppelin-esque “Roaring Water” to the southern rock of “Mudslide”. It’s riffs, falsetto singing, gang vocals and melodies galore. I’d like to point out that while Justin Hawkins is still singing in that falsetto style that made many people take notice of the band, he seems a bit more restrained and less over-the-top with it. Sometimes (especially on the first album) it seemed like his singing style was a gimmick that overshadowed the music but The Darkness doesn’t come across that way anymore.
There’s lots of classic tracks from the bands first two albums, but this may be their most consistent release yet.
Highlights: “Barbarian”, “Open Fire”, “Last of Our Kind”, “Wheels of the Machine”, “Mighty Wings”, “Sarah O’Sarah”, “Conquerors”
The Protomen – The Cover Up
2015, Sound Machine Records
1. Pick Up
2. Because the Night
3. Princes of the Universe
4. Mr. Roboto
5. No Easy Way Out
6. Last Stop
7. In the Air Tonight
8. I Drove All Night
9. Total Eclipse of the Heart
11. The Trooper
12. I Still Believe (Great Design)
14. Danger Zone
15. Silent Running (On Dangerous Ground)
Raul Panther III – Vocals, multi-instruments
Murphy Weller – Bass Synthesizer
Commander B. Hawkins Jr. – Synthesizer, Vocoder, Percussion
TURBO LOVER – Vocals, Guitar
Sir Robert Bakker – Guitar
Ringo Segundo – Guitar
The Gambler – Vocals
Reanimator – Drums
K.I.L.R.O.Y. – Percussion
Originally issued in 2014 as a digital download EP, The Cover Up was upgraded to a full-length album and released on CD, vinyl and cassette (!) in 2015. For anyone not familiar with The Protomen, they are like a mash-up of rock opera and ’80s-influenced electronic music. Based out of Nashville they play a lot of cover songs (Queen, mostly) and also write their own original songs (generally based on Mega Man video game series). They’ve released a live album of Queen songs in the past but with The Cover Up, the band covers a variety of artists. Iron Maiden, Phil Collins, Styx, Queen, Cyndi Lauper, Patti Smith, Kenny Loggins, Bonnie Tyler, etc.
It’s quite an interesting selection but the Protomen make it all work. The group flows seamlessly through these various rock, metal and pop genres. I was especially excited to see the band covers Robert Tepper’s “No Easy Way Out” which is from the Rocky IV movie and soundtrack. It doesn’t disappoint. This one is a major reworking from the original — it’s slowed down a bit and given a mariachi flavor. Very cool. Their cover of Queen’s “Princes of the Universe” from the 1980 movie Flash Gordon is great stuff as well.
The artwork for The Cover Up is done in a mock movie poster style and technically the full title of this album is The Cover Up (Original Motion Picture Soundtrack). Whether this soundtrack is ever accompanied by an actual movie is anyone’s guess but I’ve read speculation online in regards to a movie happening at some place. In fact, many of the songs covered here originally appeared on movie soundtracks themselves.
Highlights: “Because the Night”, “Princes of the Universe”, “No Easy Way Out”, “Total Eclipse of the Heart”, “Danger Zone”
With a few extra bucks to spare, I decided to order Dark Matter Coffee’s limited edition Judas Priest ‘British Steel’ coffee.
The bonus was that each order includes a cassingle featuring “Grinder” (What else?) from British Steel and “Snakebite” from the bonus edition of Redeemer of Souls.
What can I say? I’m no coffee connoisseur but if you’re a big fan of Judas Priest and coffee and want the cool exclusive cassingle, this is a must-buy. Head on over to DarkMatterCoffee.com and see if you can still order a bag!
My order # was 6666!
1. Going Out With a Bang
2. We Built This House
3. Rock My Car
4. House of Cards
5. All For One
6. Rock ‘N’ Roll Band
7. Catch Your Luck and Play
8. Rollin’ Home
9. Hard Rockin’ the Place
10. Eye of the Storm
11. The Scratch
12. Gypsy Life
13. The World We Used to Know
14. Dancing With the Moonlight
15. When the Truth is a Lie
16. Who We Are
Klaus Meine — Lead Vocals
Rudolf Schenker — Guitar, Backing Vocals
Matthias Jabs — Guitar, Backing Vocals
Paweł Mąciwoda — Bass, Backing Vocals
James Kottak — Drums, Backing Vocals
Producer: Mikael Nord Andersson & Martin Hansen
Much like Van Halen’s Tokyo Dome in Concert, I originally was hoping to purchase this album on vinyl. I think the vinyl version is only available as an import though, thus its cost was pretty high when the album first came out. Still, I ultimately ended up purchasing this album twice! I bought the standard CD jewel case edition and then discovered there was a deluxe CD edition digibook that included four bonus tracks. This version was also an import but I was able to go over to Amazon UK and pick it up for the exact same price that I bought the basic U.S. version for.
I’ve given the album a number of spins. The story behind this release is that the band went looking over all unused material and ideas to help create this album. I know there was some controversy over Van Halen doing that for A Different Kind of Truth but I have no problem with bands doing this as long as the music is good. I would prefer these veteran bands enhance and revamp old unused material that tries to capture their glory days rather than go the Aerosmith route of using a million outside writers in a pointless struggle to sound current and relevant (um… other than “Rollin’ Home” which would sound right at home on a modern pop station).
And it’s not as if the album is made up entirely of old songs. “Going Out with a Bang” and “Rock This House” are brand new and two of my favorite songs on the album. The deluxe edition bonus track “Dancing With the Moonlight” is an electric version of a song that the band debuted in acoustic form on last years MTV Unplugged release. This electric version is much, much more enjoyable. The bonus tracks are all pretty good. Well, “When The Truth Is A Lie” is a bit of filler but I like the rest, especially the ballad “Who We Are”. What’s sad is that what is probably the best song the band recorded for this album, “Delirious”, is exclusive to iTunes supposedly. It’s a shame. It’s a really great rocker that should’ve been on the standard release. Japan has two exclusives: “One and One is Three” and “Crazy Ride”. The very definition of filler tracks, so no loss there.
After the Eye II Eye debacle, the band caught a second wind in the studio beginning with 2003’s Unbreakable. What followed after that was the incredible Humanity: Hour I (2007), Sting in the Tail (2010). Return to Forever fits in right alongside Sting in the Tail but after listening to this album many times, I think it at least ranks above that album if not Unbreakable as well. Obviously, the band isn’t going to fully reclaim their glory days of Animal Magnetism, Blackout, Love at First Sting or Lovedrive but anyone who liked those albums and also enjoyed Savage Amusement, Crazy World, Unbreakable and Sting in the Tail should be able to find more than a few enjoyable songs here.
I don’t know what’s in store for the band after this. I thought Sting in the Tail would have been a good album to go out on and I think Return to Forever is an even stronger album to close their legacy on studio recordings. The thing is, this album is so good I hope the band keeps recording new music!
Highlights: “Going Out With a Bang”, “We Built This House”, “House of Cards”, “All For One”, “Rock ‘N’ Roll Band”, “Rollin’ Home”, “Eye of the Storm”, “Gypsy Life”, “The World We Used to Know”, “Who We Are”